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	<title>Robin Ducker; Photographer, Auckland, New Zealand</title>
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	<description>Photos by Robin Ducker</description>
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		<title>Night time Photography</title>
		<link>http://rdphoto.co.nz/2009/08/21/56/</link>
		<comments>http://rdphoto.co.nz/2009/08/21/56/#comments</comments>
		<pubDate>Fri, 21 Aug 2009 00:15:48 +0000</pubDate>
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				<category><![CDATA[Nighttime Photography]]></category>

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		<description><![CDATA[<p>I don&#8217;t consider myself a 100% expert in this field, but a lot of people like my low light work, so let me tell you how I approach it. As with lots of subjects, there is no single piece of advice that makes the difference: it’s about millimetres&#8230;.a series of techniques that compound collectively to [...]]]></description>
			<content:encoded><![CDATA[<p>I don&#8217;t consider myself a 100% expert in this field, but a lot of people like my low light work, so let me tell you how I approach it. As with lots of subjects, there is no single piece of advice that makes the difference: it’s about millimetres&#8230;.a series of techniques that compound collectively to improve it&#8230;.and then discarding things that might adversely affect the image.</p>
<p>Technique 1:<br />
Use a good tripod. Make sure its REALLY good &#8211; and if you are not carrying it far the heavier the better. If it has a hook on the end of the centre column weigh it down with your camera bag or something very heavy. Use a 2 -10 second delay: that way (if you use a DSLR) the mirror goes up before the shutter &#8211; this reduces vibration. With a Nikon use shutter delay mode. The better the tripod and the better it&#8217;s used the better the shot.</p>
<p>Technique 2<br />
if you use an DSLR use its &#8220;Dark Frame Subtraction&#8221; mode. This reduces noise and issues of uneven pixel brightness and response &#8211; however be aware that it also doubles the exposure time &#8211; it takes a dummy shot albeit with the shutter closed. The latest High-End DSLR’s don’t really need this. If you shoot things like star trails on very long exposures then use dark fame subtraction as digital amplifier noise will almost certainly occur at some level.</p>
<p>Technique 3<br />
Be prepared to use a &#8211; 1 1/3 to &#8211; 1/3 EV bracket or a &#8211; 2/3 EV adjustment. Why? Night photography can have a huge dynamic range, so although you can’t see it on the camera histogram, such highlights that are there will blow out, and it reduces contrast and perceived sharpness. Typically to get the right exposure on my Nikon D3 requires a &#8211; 0.33 to -1.00 exposure compensation. Best use Manual mode if you can though. Whatever, don’t over-expose: it just doesn’t look right IMHO so aim to get the picture looking as your eyes see it. If you really want to bring more shadows out do HDR (T7).</p>
<p>Technique 4<br />
Use a fairly wide aperture (F4-F8) . Why? Generally, noise creeps into shots with longer exposure times, so try to minimise exposure without increasing ISO . This also minimizes opportunities for camera shake. Generally I try to use 5.6 &#8211; F8 max depending on how dark it is&#8230;.if its semi dark use f8-F11 or just aim for an exposure between 3-10 seconds.</p>
<p>Technique 5<br />
use a low ISO. Seems obvious? Not really as a lot of people try to keep exposure as short as possible out of habit,  so just turn auto ISO OFF! When it comes to noise, a long exposure on a tripod is preferable to a short and higher ISO one.</p>
<p>Technique 6<br />
In semi dark situations &#8211; if into a sunset &#8211; use either a 2 stop Graduated Neutral Density filter or a colour version of the same. Why? Filters seem to scare some people but they are pretty simple. The dynamic range in such a scene is far too great for the sensor (DSLRS can capture around 8-10 EV or so compared to a total of 12-16 EV in such a situation) &#8211; blown highlights can never be recovered and nor can total blacks. Having a filter on balances the brightness between the sky and the foreground. Yes you can use CS2/3 to balance it after the shot but a highlight lost is never, ever, recovered (even with RAW) so there is no substitute for using one at the time of capture.</p>
<p>Technique 7<br />
Consider using HDR (and no filter) because of the dynamic range it provides. 3 shots -2.5 -0.5 &#8211; + 2 is fine for most situations. My preference is Photomatix not Photo shop. If you DO use Photo shop CS2-CS4 for HDR you don&#8217;t need my advice! Again its best to use manual mode as this gives complete control over the exposure.</p>
<p>Technique 8<br />
have fun!<br />
<a href="http://rdphoto.co.nz/wp-content/uploads/2009/08/1.jpg"><img src="http://rdphoto.co.nz/wp-content/uploads/2009/08/1.jpg" alt="" title="#1" width="1000" height="741" class="aligncenter size-full wp-image-376" /></a></p>
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		<title>Hello world!</title>
		<link>http://rdphoto.co.nz/2009/08/14/hello-world/</link>
		<comments>http://rdphoto.co.nz/2009/08/14/hello-world/#comments</comments>
		<pubDate>Thu, 13 Aug 2009 21:24:28 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

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		<description><![CDATA[<p>Welcome to my Web site! leave a comment, or make some suggestions as this  is a live site that changes every week. Or, fill in the enquiry form if you are interested in purchasing by services as a freelance.</p>
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			<content:encoded><![CDATA[<p>Welcome to my Web site! leave a comment, or make some suggestions as this  is a live site that changes every week. Or, fill in the enquiry form if you are interested in purchasing by services as a freelance.</p>
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